Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Saturday, January 9, 2010

Weird, Wild, Wonderful Four - Jan 3 - 9

Contexts.org is a site entirely about sociology. The site, along with the magazine of the same name (Contexts), "makes sociology interesting and relevant to anyone interested in how society operates...It is a publication of the American Sociological Association." The site has several blogs and publishes articles about society, culture, sexuality, criminality. Pearl from the blog Humanyms referred me to a photographic project called the Adipositivity Project featured on the Contexts site.

ZCommunications - The Spirit of Resistance Lives -  grew out of "South End Press (1978)... founded to raise consciousness about class, gender, race, and power and to provide information, analysis, and vision to help activism."  The site is huge with ZNet, ZMag, ZBlogs, ZMedia Institute, ZVideo and more. This is another site where readers could spend days.

Massachussetts Institute of Technology - MIT - offers many of its public and course lectures free on video here. The selection is very extensive. Where else can one listen to world-class experts in their various fields for free? Many of the videos are long - they are the actual lectures of about 45 minutes - but the range of topics is amazing and the information awesome. (There is even rocket science for those so inclined!)

Ever wondered what the best source for vitamin K is, or potassium, or riboflavin, or fibre? This USDA site has just that. I've used this site countless times to find information about different nutrients and trust it more than other sites where they are also selling supplements.

Saturday, January 2, 2010

Weird, Wild, Wonderful Four - Dec 27 to Jan 2

I'm looking forward to another year of showcasing interesting, incredible blogs and websites.

The blog Women of History features mostly stories about women, past (often medieval) and present and spotlights women's issues around the world. Most posts are quite short and many are excerpts or summaries of other articles with links. The posts are really wide in their range - from Louisa May Alcott to Diane de Poitiers and Cleopatra. I really enjoy this blog for its range, its frequent posts, and its sheer volume of good information (826 posts in 2009!).


The website for the Poetry Foundation has so much to offer and would take several days to fully explore, but what resources they have! "The Poetry Foundation, publisher of Poetry magazine, is an independent literary organization committed to a vigorous presence for poetry in our culture. It exists to discover and celebrate the best poetry and to place it before the largest possible audience." If you love poetry, you'll love this site.



I came across this site for a documentary by Leo Sacks. The film, which is in production, is A Taste of Heaven: The Heartbreak Life of Raymond Myles, Gospel Genius of New Orleans about the life and death of the gay gospel star. His music is amazing, as his life and death story is for the intolerance and homophobia he endured. The site for the film showcases his incredible singing.


Last but not least, a humour blog - something I haven't checked out before. Of Cabbages & Kings is funny and intelligent with lots of interesting literary and cultural references.

Monday, November 2, 2009

Whale Songs from the Tower of Babel

The linguistic version of eugenics is alive and well.

With the exception of the aesthetics of certain languages valued by only a few academics, the world would suffer no siginificant loss if all of the extant Babel of 6000 languages disappeared. Of course, because it is already global in its scope, and for the sake of efficiency, English could be the one universal language.

And, contrary to what other linguists, anthropologists, and First Nations' elders know, the demise of language does not facilitate the loss of culture - residential schools in Canada, Australia, and New Zealand notwithstanding.

Important languages with an important body of writing - like Russian - could be preserved as museum pieces. Unfortunately, languages of indigenous cultures need not apply.

Such is the cavalier (and incorrect) attitude of John McWhorter, linguist and professor of literature.

McWhorter, in his article "The Cosmopolitan Tongue: The Universality of English" in World Affairs, offers all of these views and more, in an argument that astounds with its faulty logic and misrepresentation of the work of anthropologists and sociologists.

For instance, consider this passage:
In fact, all human groups could, somehow, exhibit the exact same culture—and yet their languages would be as different as they are now, because the differences are the result of geographical separation, leading to chance linguistic driftings... In this we would be like whales, whose species behave similarly everywhere, but have distinct “songs” as the result of happenstance. Who argues that we must preserve each pod of whales because of the particular songs they happen to have developed? The diversity of human languages is subject to the same evaluation: each one is the result of a roll of the dice.    [listen to whale songs]
Huh? Where to start? 

First, geographical separation accounts for much of a culture and is contained in that culture's language - the many Inuit words for different types of snow are irrevocably bound to building, hunting, food preservation, ritual, and other traditional practices.
How a Saharan cow herder and a Greenland seal hunter could possibly have the same culture is a fantasy McWhorter requires for his ideas to work.

Second, we are all homo sapiens, just as whales are whales Our cultures are our whale "songs," and, yes, they should be preserved. I wonder throughout McWhorter's essay just who it is who might decide on which human song stays and which goes.

Third, many people do argue to preserve each pod of whales and each distinct song. What's the alternative? Some select pods preserved, with taped songs and stuffed and mounted examples of all the others in a museum?


In another astounding turn, McWhorter states: "Native American groups would bristle at the idea that they are no longer meaningfully “Indian” simply because they no longer speak their ancestral tongue."

North American "Indian" elders ( e.g. Stephen Augustine and Leroy Littlebear and Narcisse Blood) and their counterparts around the world are doing whatever they can as fast and furiously as they can to preserve their languages precisely bacause they know that it will help to preserve their culture. Specifically, they speak frequently about the preservation of history and story as critical to the preservation of culture. Anthropologists and sociologists agree (e.g.Wade Davis and Cora Voyageur).

According to the elders, translation just doesn't cut it because so many cultural concepts are lost because there is no corresponding concept in English.

I'm surprised that McWhorter, as both a linguist and professor of literature, seems to have no idea of the place of narrative and history in culture - narrative and history passed on through language that, again, often does not translate easily.

For McWhorter, the only alternative to having English as the universal tongue, especially for indigenous peoples, comes at a terrible price:
The alternative, it would seem, is indigenous groups left to live in isolation—complete with the maltreatment of women and lack of access to modern medicine and technology typical of such societies. Few could countenance this as morally justified, and attempts to find some happy medium in such cases are frustrated by the simple fact that such peoples, upon exposure to the West, tend to seek membership in it.
In other words, stay home, you indigenes, in your backwardness and disease, or become Western and adopt English. If I were marking this in a student paper, I would slash through it with the notation "faulty either/or argument". Additionally, I would note "over-simplification"and "sweeping generalization "regarding the last sentence!

Thank goodness for all the elders working to preserve their languages, for anthropologists like Wade Davis and sociologists like Cora Voyageur, for all the NGO's working around the world. Thank goodness for such things as The Slow Food Movement, working against the constant pressure to standardize everything around the world (from soup to cedilla).

McWhorter's choice of the biblical story of  the Tower of Babel as somehow demonstrative of his point is ironic. Yes, the Tower of Babel story shows the curse and origin of many languages.

Does he forget, though, that it all came about because God thought humans with one language, building "a tower with its top in the heavens" (Genesis 11) were dangerous, uppity, and perhaps wouldn't stop with that one tower?

At the very least, many human "whale songs" guard against the standardization of everything. At best, they guard against tyranny.


(Kayak photo credit)
(Desert photo credit)
(Whale photo credit)

Thursday, October 29, 2009

Well-Deserved Criticsm

Popular, trashy romance novels have hackneyed characters, doggedly predictable plots, and no sentences more difficult than what a primary schooler could handle. They are painful to read.

Slightly more literate romance novels have slightly less hackneyed characters, perhaps an interesting plot twist or two, and sentences for middle schoolers. They are sometimes well-written, but are still painful to read.

Most romance novels are, purportedly, written by women. Regardless of the gender of writer and reader, they are still painful to read.

Emily Gould believes that "women are often the cruellest critics of other female writers." In her article "What Are Women Fighting About?" in More Intelligent Life (October 29/09), she discusses the particular venom she feels is levelled by women at women who offer traditional, vapid female characters - characters who are dependent, materialistic, and want someone to sweep them off their feet and take care of them by providing as much cash as possible.

Gould generously lists the aspects of good writing she finds in one particular novel, but says that she hates the novel, the "retrogressive plot," and the female characters and worries that readers will find the character portrayals representative of real women like her:

This worry elicits the cruel female response:
So I become, once more, the kind of person I can't bear: the female critic who despises any female writer who doesn't project what she feels is the accurate or ideal vision of modern womanhood. This critic believes it is her job to tear down women who are "off-message" because there is only so much publishing space allotted to women, and so more attention for them is less attention for her and other worthy types.
Female critics are right to give these novels a pass and to review them with a highly critical eye, but not because they don't fit with an agenda, and not because there is limited publishing space. As Gould's one example of a cruel critic says (and it's all she says as example!), "The novel is just terrible."


Female (and male) critics are right about these novels because they offer characters who are stereotypes, acting in stereotypical ways, in stereotypical situations. Even though the descriptions, locales, and outfits may be finely drawn and the sentence structure admirable, romance novels are painful to read.

Men and women who support the ongoing fight for women's equal place are right to criticize vehemently. The continued portrayal of women as dependent, sexualized children has real consequences in the world; it is more than an agenda issue. It is sad, disheartening, and frustrating, no matter who promotes the stereotypes.

To say that these novels and their authors are" giving women what they want" is to try and give them a legitimacy they don't deserve. Romance novels, like so many other aspects of pop culture, play to the lowest common denominator; they carry the messages of advertisers promoting stereotypes of those most likely to buy their products; they require no mental effort; they are easy and comfortable; they are often based on the worst aspects of humanity. They are thoroughly and readily criticized for many reasons.

Gould's critique of female critics pits women against each other much more insidiously than any outraged and open female criticism of romance novels. She takes what is healthy anger at the continued promotion of damaging stereotypes on one hand, and legitimate criticism of bad novels on the other and reduces them to that demeaning question Freud asked - "What do women want?"

Gould's title "What Are Women Fighting About?" invokes Freud and diminishes the well-deserved criticism of romance novels to the level of a bitchy catfight.


(photo credit)
(photo credit)


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